Technical Information

(Click here for pdf for print)

Contacts:

Administration Office (386) 671.8250
Helen S. Riger Office: (386) 671.8252
Fax: (386) 671-3465
Peabody Manager (386) 671-3460
Jill E. Jaquet Office: (386) 671-3461
Fax: (386) 239-6435
Technical/Stage Manager: (386) 671-3464
Don Steadman (386) 547-7113

Tech Specs PDFs:

Lighting System:

DMX 512

All Connectors 3 pin stage type (20A 2p&g)
All FOH, Box Boom & 1st Electric positions are connected through road patch; 2nd, 3rd, are on 2 p&g bus drops
107 4kw dimmer rack: NSI Colortran I96 and Colortran I24 for Orchestra Shell
Strand GSX memory console (100 channel 200Q/24 submasters x 5 pages)
Also available: NSI MC7524 (32 submasters)
Hardwired circuits: 28 @ FOH; 8 @ each Box Boom; 40 @ 1st electric
3 Run of DMX from stage to lighting booth. DMX 512 Opto Isolatorc

House Instruments:

48 Par 64 1kw
24 6x9 ellipsoidal spotlight (lekos) 1kw
28 6x12 lekos 1kw (stage) plus 12 (6 each side)
at Box Booms
28 6x16 lekos 1kw at FOH ceiling cove
6 Altman "Far Cyc" 3 color 1kw cyc lights
2 Xenon Strong Super Troupers (in projection booth rear of
balcony)
TWO company drops: each 400A 120/208vac 3-phase fused disconnect (off stage right)

Sound Reinforcement System

GB4 32 Channel Mixing Console
28 stage mic sends to balcony mix position (7 each corner of stage)
28 channel 3-way mic splitter to DSL box and to balcony monitor mix position, directs are to house mix console
Subs: 2 - EV XS212 (center overhead cluster)
Mids - Highs: 6 EV XLD281 3 Way Line Array Element
Front Fills: 4 EV XI1082 Speaker Cabinet
Floor Subs: 2 EV XSUBS
All powered by: 5 P3000RL PA Power Amps
Two rows Bose ceiling speakers under balcony on 65 and 75 msec. Delays
Eight monitor wedges: (4) JBL 905, (4) EV-Eliminator
One Tascam 122 MK3 cassette deck
House Outboard Gear: Lexicon MX400XLV Signal Proc/Effects
Compressors: (2) DBX 166XL Compressor/Limiter/Gate
Three DBX 231 Dual Graphic Equalizers
Microphone Complement:
- six Shure SM58
- three AKG 535
- three AKG 310
- one D112
- six SM 57
- four PCC 160 floor mics
- six Rapco DI’s
- two Shure LX wireless mics
Telex AATI assistive listening system fed by house mix
Tie Lines: six DSL sends to amp rack, eight returns from house mix to DSL & DSR

Production Communication:

Telex intercom system at SMP to:

2)Flyrail,
1)DSR,
1)Lighting console,
2)Spotlights,
1)Sound mix,
1)Front Office,
1)Box Office,
1)DSL aux and
1)Backstage Production Office; bal/unbal adapter to
ClearCom;
8)beltpaks,
6)headsets,
1)biscuit and
2)handsets

TOA mixer amp #1 at SMP to Lobby w/chime, House monitor mic, and SMP announce

TOA mixer amp #2 at SMP to dressing rooms, Lighting booth with spots, Backstage production office and Atlantic room backstage

SMP Audio Mixer: Alesis 12R 8 + 2 Stereo Ins; mic lines from stage boxes (3 per corner of stage) w/feeds to main amp rack

Projection Equipment:

Bell & Howell 16mm, Eiki 500w Xenon 16mm, in spot booth; stage screen 20’ x 30’

Stage Drapes:

Black Velor; four sets legs 28’’ four borders 10x60, two fill stage travelers 28’, one 30x60 Rosco “Cyc Screen” (white), maroon main curtain (lineset #2), Fire curtain (lineset #1) (maroon valance hung from same)

Stage Counterweight System:

Single purchase 8: O.C. Tee track, 8’ arbors
Operates from stage left at deck level, 2 bridges
35 total linesets

Grid Height: 51’ high trim out 44’0”

Orchestra Riser: Wenger 4’ x 8’ folding type:
     Five 8” high
     Seven 16” high
     Nine 24” high
     100 stacking padded chairs
     100 Wenger music stands
     100 stand lights
     3 30” padded stools
     1 4’ x 4’ conductor podium

Orchestra Shell: Wenger full stage enclosure; 10 walls and 4 ceiling pieces, built-in overhead fixtures distribute 18k quartz lighting, 3 entrance door sets per side

Orchestra Pit Cover: Manual 9’ x 47’

Pianos: Steinway Concert Grand

Stage Power:
One 400 amp three-phase for lighting
One 400 amp three-phase for sound

Stage Dimension:

     Proscenium:
          Height 22'0"
          Width 47'0"
     Stagehouse: Width 82'0"
          Depth 35'0"
          Apron 3'3"

Loading Dock: Upstage right rear wall through 9'x 14' rollup door
at stage floor level; covered 12'x 15' dock @ 14"
above rear parking lot level

Dressing Rooms:

Two star and Green Room offstage left at stage level, Three chorus and two smaller off stage left and 1 flight up

Washer and Dryer and 3-bin sink for hand washables are available for production use.

Adequate parking for production vehicles is available.

Additional Rooms
     (Atlantic floorplan 1)
    (Altantic floorplan 2)

Peabody Auditorium Lineset Schedule

Click here for House Lighting Plot

Lineset # Use Distance

Upstage edge of proscenium opening 00'0"

00 Fire curtain/main valance 00'6"
01 Main Curtain 01'4"
02 #1 Electric (permanently wired) 02'4"
03 Open lineset 03'4"
04 #1 Orchestra shell ceiling (permanent) 04'6"
05 Open lineset 06'6"
06 Legs or open lineset 07'10"
07 Border or Open linset 09'8"
08 Mid-stage black traveller (permanent) 10'3"
09 Open lineset or projection screen 10'8"
10 Open lineset 11'6"
11 #2 Orchestra shell ceiling (permanent) 12'4"
12 Border or open lineset 13'3"
13 Legs or open lineset 14'0"
14 #2 Electric 15'2"
15 Open lineset 15'10"
16 Open lineset 17'2"
17 Open lineset 17'6"
18 Open lineset 17'11"
19 Open lineset 18'7"
20 Open lineset 19'2"
21 #3 Orchestra shell ceiling (permanent) 20'0"
22 Border or open lineset 21'2"
23 Legs or Open Lineset 22'4"
24 #3 Electric 23'3"
25 Cyc Lights 23'9"
26 Open lineset 24'2"
27 Open lineset 25'2"
28 Legs or open lineset 26'2"
29 #4 Orchestra shell ceiling (permanent) 27'4"
30 Open lineset 29'0"
31 Border or open lineset 29'8"
32 Open lineset 30'4"
33 Open lineset 31'2"
34 Upstage Black traveller 32'4"
35 Cyc or open lineset 32'10"

All pipes fly out to 44' above stage deck
Proscenium arch opening: 47'0" & 22'0" high
Stage apron edge to rear wall: 38'
Centerline to SL locking rail: 38'
Centerline to SR wall: 40'